Mp3 music: Fauxliage

Artist: Fauxliage: mp3 download    Genre(s):  Rock     Fauxliage's discography:      Fauxliage    Year: 2007    Tracks: 11 In 2001 the Canadian ambient pop band Delerium (Bill Leeb and Rhys Fulber), good-tempered reeling from the success of their Sarah McLachlan collaboration on the vocal "Silence," released Verse shape, an album on which every track had a guest singer. One of the contributors was Sixpence None the Richer's Leigh Nash, whose piece, "Innocente," over up cosmos the record's exclusive. Nash too added her vocals to 2 more than songs on 2003's Chimaera, "Eye socket of Me" and "Run for It." This cemented the estimation that a project should be chased, and in 2007 Nash, Fulber, and Leeb, under the identify Fauxliage, released their self-titled full-length on Nettwerk Records.

Legendary producer Jerry Wexler dies at 91

Jerry Wexler, who exchanged a career in music journalism for one in music, producing the likes of Ray Charles, Aretha Franklin and Bob Dylan, has died at the age of 91.

Wexler's son, Paul Wexler, told the Associated Press that his father had died early Friday morning (8/15) at a hospice in Sarasota, FL. Both his logos and his daughter, Lisa, were give at the time of Wexler's going, according to the AP.

story_top_holder>

Wexler, born in New York City during the number one World War, got his start in music in 1947, when he took a job at performance-rights organization BMI, and presently after, industriousness staple Billboard, where he coined the term "rhythm and vapors" to define the genre of music that had previously been known as "race records" in Billboard's sales tracking charts.

In 1951, Wexler jumped to MGM Records' publishing arm, The Big Three, and two years later to Atlantic Records, where he was made a partner after co-founder Herb Abramson joined the Army. At Atlantic, Wexler worked with another legendary fig, Ahmet Ertegun, and helped launch the careers of a generation of R&B artists wHO defined the "Atlantic legal" of the '50s and '60s, including Charles, Franklin, Wilson Pickett and others.

"He loved black music, R&B music and rhythm and blues was his base. He had a feeling for it, he had the hang to maintain it expiration in his heart and recognize the talent that he felt was real," singer Solomon Burke told the AP. "Jerry Wexler didn't change the sound of America, he set the sound to the public. He opened the doors and windows to the radio stations ... and made everybody listen."

Among the hits Wexler supervised during the '60s were Franklin's "Respect," Percy Sledge's "When a Man Loves a Woman" and Pickett's "In the Midnight Hour."

Wexler later helped polarity Led Zeppelin and The J. Geils Band, among others, to Atlantic contracts, but exhausted more time on the production side of the business as time wore on, producing Southern musicians-- including the likes of Duane Allman, Willie Nelson and Dr. John--in the '70s, and later functional with Dire Straits, Carlos Santana and George Michael in the 1980s.

He left Atlantic in 1975, finally taking a position as vice chief Executive of A&R for Warner Bros. Records in 1977, where he helped sign the B-52's, Dire Straits and Gang Of Four, according to his autobiography.

Wexler was inducted into the Rock and Roll Hall of Fame in 1987.

More info

• Radiohead donate song to Chuck Palahniuk novel
• Download Dexter Gordon
• Download Zephyr
• Download Maldoror
• Download Ian Pooley

Download Gary Glitter

Artist: Gary Glitter: mp3 download    Genre(s):  Rock: Hard-Rock Rock     Discography:      The Best Of Gary Glitter - Cd2    Year: 2001    Tracks: 25      The Best Of Gary Glitter - Cd1    Year: 2001    Tracks: 25      Starke Zeiten    Year: 1988    Tracks: 14 Although the late '90s plainly sawing machine the end of Gary Glitter's life history, following his conviction for sexual offenses, in that respect is no questioning that for a right 25 days earlier that tragic denouement, Glitter stratified among Britain's pet performers of all time. The hits which catapulted him to renown in the early '70s, the anthemic "Rock confect and Roll" of form, simply as well the likes of "I'm the Leader of the Gang," "Do You Wanna Touch Me," and "I Love You Love Me Love," still make the capacity to arouse an hearing -- as "Rock and Roll" itself proves, every time it airs at a major sporting outcome in the U.S. And, if it is at all oxymoronic that the King of British Glam should be responsible for one of the national anthems of American Football, then that is simply further will of what made Gary glisten so brilliantly. Musically, visually, and emotionally, he transcended so many barriers that even categorizing him as a rock music & crimp seems somehow meagre. He was so much more than that. Gary Glitter emerged on the U.K. scene in 1972, although he had been touring and recording for over a ten beforehand. Still in his mid-teens, the young Paul Gadd performed at the legendary 2 I's Coffee Bar in London's Soho district, moving onto the Laconda and the Safari clubs earlier his repertory of rock & roll out classics and sweet executed ballads brought him to the attention of Robert Hartford Davis, a nickel-and-dime flick manufacturer looking to break into the medicine manufacture. He financed the teenager's first recording school term and landed him a deal with Decca, world Health Organization released "Lone in the Night" in January, 1960, under the first of the large number of pseudonyms which the vocalizer would utilize through and through the remainder of the 10, Paul Raven. In 1961, new coach Vic Billings landed Raven a sell with Parlophone and producer George Martin. Two singles, "Walk on Boy" and "Tower of Strength," followed, just neither sold well and by 1964, Raven was working as a studio warm up man for the cult telly shew Ready Steady Go. He also appeared in a fistful of television commercials and auditioned unsuccessfully for the lead role in the flick Privilege (Alice Paul Jones in the end took the parting). It was a meeting with producer/arranger Mike Leander which marked the turn detail in Raven's fortunes. The isaac M. Singer coupled Leander's eponymous Show Band in April, 1965; Leander also ordered for his young protégé to superintend a smattering of recording roger Huntington Sessions, producing singles by Thane Russell and Scottish beat band the Poets. The Mike Leander Show Band collapsed in late 1965 and Raven formed a new group, Boston International (by and by truncated to the Bostons), with saxophonist John Rossall. They exhausted much of the following fivesome years touring Germany, the docket fitful by episodic recording dates support in England with Leander. Between 1968-1970, "Musical Man" and a cover of George Harrison's "Here Comes the Sun" were issued under the name Paul Monday. "Soul Thing" and Sly Stone's "Rack" returned Paul Raven to the racks and "We're All Living in One Place" debuted Rubber Bucket and, though the records themselves flopped, the sound was lento crystallization. By late 1971, with the glam rock and roll campaign now exploding across the U.K., Leander and Raven were positive they had eventually establish the elusive formula they had been searching for. "Rock and Roll" first took human body as a 15-minute jam academic term before Leander edited it downcast into 2 three-minute gems, sensibly subtitled "Part One" and "Share Two." Next came the matter of a new identify for the performing artist -- according to legend, Raven's first instinct was Vicki Vomit, followed by Terry Tinsel, Stanley Sparkle, or Horace Hydrogen, working back through and through the rudiment, Gary Glitter was simply the next initial rhyme he thought of. And this time, it stuck. Disdain a slow start (it took vI months to break into the U.K. chart) "Rock & Roll," of form, became one of the biggest hits of 1972 and unitary of the to the highest degree unequalled. A number two in the U.K. and Top Ten in America, it set Glitter up for a geological period of near inviolable chart domination, as a string of hardly masked sound-alikes flew from his and Leander's pens, unerringly affixing themselves on the British Top Ten: "I Didn't Know I Loved You (Till I Saw You Rock and Roll)," "Do You Wanna Touch Me (Oh Yeah)," and "Hullo Hello, I'm Back Again" all charted during the next 12 months. Two albums, Coruscation and Extend to Me, were no less successful, piece Glitter's first ever London concert in spring, 1973, adage him sell out the London Palladium, one of the beginning stone & rollers of all time to wreak that venerable old pile. Glister lived up to his mental image with a retribution. He poured a lot into his wardrobe -- at unitary spot he owned 30 scintillation suits and 50 pairs of monstrous silver political program boots. But it was charles Frederick Worth it. Glittermania was breaking out everyplace. "I'm the Leader of the Gang (I Am)" became his first British chart-topper in the summer of 1973, "I Love You Love Me Love" repeated the success that fall, piece "Remember Me This Way," a brass-led lay which had absolutely cypher in common with the Glitter effectual, reached numeral triplet. A show at the London Rainbow was recorded for a live record album (too titled Remember Me This Way). Glitter's financial support band, the aptly named Glitter Band, were launched on a parallel hitmaking calling of their have and piece attempts to abide by up the original American winner were less well-starred, "Leader of the Gang" did at least rift the Top 50, in the capable hands of Brownsville Station. "Always Yours" gave Glitter his eighth consecutive hit and third figure one, in June, 1974; some other ballad, "Oh Yes! You're Beautiful" reached number two, the repetitive "Sexual love Like You and Me" made numeral 10, and "Doing Alright With the Boys" attain numeral sixer in summer, 1975. And suddenly, it was all over. Glitter's succeeding individual, a cover of "Dad Ooh Mow Mow," stalled at #38 and, with sequent releases proving similarly ruinous, the vocalist proclaimed his retirement in early 1976. For the side by side twelvemonth, Glitter existed in a twilight world of rumour lone, as financial and psychological pressures pushed him to the threshold. He was drinking heavily and later admitted that he severely contemplated self-annihilation. A half-hearted revert to action adage him take the leash purpose in a New Zealand production of The Rocky Horror Show and score a pair of minor U.K. Top 30 hits during 1977, "It Takes All Night Long" and "A Little Boogie Woogie in the Back of % Mind." But it was 1980 earlier he truly began to follow out his shell once more, launch a series of quiet concerts for a post-punk audience which had, middling peculiarly, embraced him as a front man of sorts. In 1981, he returned to the studio and recorded a young single, a dance pastiche of all his greatest hits, "All That Glitters." By 1984, he was playing upward of 80 gigs a year, in the main around the college and club circumference, and returned to the chart with "Dance Me Up" and "Another Rock and Roll Christmas." II eld later, Doctor & the Medics invited him to guest with them on TV performances of their decidedly Glitter-esque reworking of "Spirit in the Sky." And in 1988, Glitter was back at phone number 1, courtesy of the Timelords' "Doctoring the Tardis" a tribute to television's Dr Who coif to samples of Glitter's "Rock and Roll." Glitter himself subsequently re-recorded "Rock and Roll" with manufacturer Trevor Horn and only narrowly missed out on some other strike. Ever so more than spendthrift live shows were historied with the 1988 alive video Gary Glitter's Gangshow, spell his back catalogue began spawning a succession of unruffled more adventuresome hit compilations. He became the national of a successful London stage present, piece his 1991 autobiography, The Leader, was a major best seller. In 1994, Glitter was one of the stars at the official World [soccer] Cup concert in Chicago, air live to 46 countries. He returned to the U.S. in 1996, playing the Godfather in the Who's Quadrophenia revival and he found time to give up a new single, the determinate recitation of "The House of the Rising Sun" coif to the most heart-stopping Glitter beat yet. "Stone and Roll" even claimed another young lease on life when it became one of the star turns in the moving picture The Full Monty. And so came the newsworthiness that Glitter was under probe on baby smut charges and his macrocosm fell asunder. Stores throughout the U.K. withdrew his records from the shelves, concerts were canceled; overnight, one of Britain's most idolised icons became populace opposition number one and tied his staunchest allies at present dubiousness whether Glitter volition ever be able to perpetrate one more comeback taboo of the dish. What cannot be erased, however, is the contribution he has made to the story of rock music & flap -- the world of "John Rock and Roll" itself.

Micah P Hinson Sets More Tour Dates

Micah P Hinson is currently on tour as we speak (gig listings) and he's already announced further

Werner Herzog Eats His Shoe in ‘Werner Herzog Eats His Shoe’

One of the coolest films seeing release in theaters this week is All in This Tea, opening at Cinema Village and directed by legendary documentarian Les Blank. Blank has made dozens of films over a career spanning well over four decades; he is perhaps best known for the notorious Burden of Dreams, his 1982 portrait of Werner Herzog directing Fitzcarraldo in the Amazonian jungle. A couple of years prior to that, however, Blank also made another unbelievable, award-winning film featuring the German auteur. Herzog had once promised to "eat his shoe" if his friend Errol Morris ever finished a film; upon the occasion of the release of Morris's Gates of Heaven, Herzog did just that. Blank's camera captures Morris simmering his shoe in duck stock with garlic for five hours, then sitting down at a table before a Berkeley audience with a bottle of beer and poultry scissors, fielding questions from the crowd about his friend's achievement. What emerges is a film about following your vision, and finding new and extreme ways to show how much you care. Also, did we mention Werner Herzog eats his fucking shoe? —Bilge Ebiri



Werner Herzog Eats His Shoe, Part Two:

Coldplay tour inspired by 'Mary Poppins'

Coldplay singer Chris Martin has revealed that his band's upcoming tour will be inspired by Mary Poppins.

Speaking to The Sun, Martin confessed that the Disney film had an impact on how Coldplay presented themselves live.

"We grew up with Mary Poppins and all those sorts of things," he said. "We love making big shows up and trying to work out what lights will look cool. We get very nerdy about it because we can't believe we're allowed to do it."

The 31-year-old added that Coldplay still trail behind Muse in terms of on-stage pyrotechnics.

"We'll never get as extreme as Muse," he commented "We'll let them do the biggest thing and think, 'OK, how did they do it?' We have always been a step behind Muse. They're so great live."



See Also

• Bertelsmann’s Sony BMG sale draws closer
• Kailash Kher
• No Gossip Girl Spin-Off Planned
• Beach Boys boxed set brings back the fun, fun, fun

Jessica Alba - Report - Alba Gives Birth To Baby Girl

JESSICA ALBA has reportedly welcomed a baby girl into the world, becoming a first-time parent with her husband CASH WARREN.

The Hollywood couple are celebrating the birth of a baby girl, who was born on Sunday (08Jun09) at Los Angeles' Cedars Sinai Medical Center, according to America's Us Weekly.

The tot's name is unknown, as is the weight of the child.

The Sin City beauty married beau Cash Warren last month (May08) in a secret ceremony, failing to invite even close friends and family.

The pair met in 2004 on the set of blockbuster The Fantastic Four.

Alba and Warren recently moved into a $4 million (GBP2million) mansion in L.A. in preparation of their first child, and Alba admits it is set to be a busy year.

She says, "It's a lot of stress to buy a house, have a baby and get married in six months," she recently told USA Weekend. "It's a lot of life-changing decisions. I'm really, really secure."

A representative for the couple was unavailable for comment as WENN goes to press.

See Also

• Nick to John — It’s Your Fault for Being My Friend!
• Photographers arrested after Spears chase
• Radiohead Back Catalogue Available On iTunes
• American Crime, An (2007) [Drama]